Green Dot Reads

Ain't I a Woman: Black Women and Feminism by bell hooks A classic work of feminist scholarship, Ain't I a Womanhas become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

All the Women are White, All the Blacks are Men, But Some of Us Are Brave by Gloria T. Hull, Patricia Bell Scott, Barbara Smith, eds.; Brittney C. Cooper (Afterword by)

Are All the Women Still White? by Janell Hobson (Editor)

Bad Feminist by Roxane Gay One of our most indispensable writers . . . on everything that matters

Beyond Respectability by Brittney C. Cooper

Borderlands: The New Mestiza=la Frontera by Gloria Anzaldúa Literary Nonfiction. Poetry. Latino/Latina Studies. LGBT Studies. Fourth Edition. Rooted in Gloria Anzald#65533;a's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twenty-fifth anniversary edition features a new introduction by scholars Norma Cant#65533; (University of Texas at San Antonio) and A#65533;da Hurtado (University of California at Santa Cruz) as well as a revised critical bibliography. "The emotional and intellectual impact of the book is disorienting and powerful...all languages are spoken, and survival depends on understanding all modes of thought. In the borderlands new creatures come into being. Anzald#65533;a celebrates this 'new mestiza' in bold, experimental writing."—The Village Voice "Anzald#65533;a's pulsating weaving of innovative poetry with sparse informative prose brings us deep into the insider/outsider consciousness of the borderlands; that ancient and contemporary, crashing and blending world that divides and unites America."—Women's Review of Books

Colonize This! by Daisy Hernández (Foreword by); Bushra Rehman (Foreword by); Cherrie Moraga (Foreword by)

Critical Race Feminism by Adrien Katherine Wing (Editor)

The Crunk Feminist Collection by Brittney C. Cooper (Editor); Robin M. Boylorn, Susana M. Morris, eds. For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted - relevant, real conversations about how race and gender politics intersect with pop culture and current events. To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. In this collection of essays, these self-described as 'critical homegirls' tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny and sexism.

Ebony & Ivy by Craig Steven Wilder A 2006 report commissioned by Brown University revealed that institution's complex and contested involvement in slavery-setting off a controversy that leapt from the ivory tower to make headlines across the country. But Brown's troubling past was far from unique. InEbony and Ivy, Craig Steven Wilder, a rising star in the profession of history, lays bare uncomfortable truths about race, slavery, and the American academy. Many of America's revered colleges and universities-from Harvard, Yale, and Princeton to Rutgers, Williams College, and UNC-were soaked in the sweat, the tears, and sometimes the blood of people of color. The earliest academies proclaimed their mission to Christianize the savages of North America, and played a key role in white conquest. Later, the slave economy and higher education grew up together, each nurturing the other. Slavery funded colleges, built campuses, and paid the wages of professors. Enslaved Americans waited on faculty and students; academic leaders aggressively courted the support of slave owners and slave traders. Significantly, as Wilder shows, our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained them. Ebony and Ivy is a powerful and propulsive study and the first of its kind, revealing a history of oppression behind the institutions usually considered the cradle of liberal politics.

Eloquent Rage by Brittney Cooper: A Black Feminist Discovers Her Superpower

Gender and the Abjection of Blackness by Sabine Broeck

Introducing Intersectionality by Mary Romero

Reclaiming Our Space by Feminista Jones; Melanie Taylor (Narrated by)

The Sisters Are Alright by Tamara Winfrey Harris GOLD MEDALIST OF FOREWORD REVIEWS' 2015 INDIEFAB AWARDS IN WOMEN'S STUDIES What's wrong with black women? Not a damned thing! The Sisters Are Alright exposes anti-black-woman propaganda and shows how real black women are pushing back against distorted cartoon versions of themselves. When African women arrived on American shores, the three-headed hydra--servile Mammy, angry Sapphire, and lascivious Jezebel--followed close behind. In the '60s, the Matriarch, the willfully unmarried baby machine leeching off the state, joined them. These stereotypes persist to this day through newspaper headlines, Sunday sermons, social media memes, cable punditry, government policies, and hit song lyrics. Emancipation may have happened more than 150 years ago, but America still won't let a sister be free from this coven of caricatures. Tamara Winfrey Harris delves into marriage, motherhood, health, sexuality, beauty, and more, taking sharp aim at pervasive stereotypes about black women. She counters warped prejudices with the straight-up truth about being a black woman in America. "We have facets like diamonds," she writes. "The trouble is the people who refuse to see us sparkling."

So You Want to Talk about Race by Ijeoma Oluo In this New York Times bestseller, Ijeoma Oluo explores the complex reality of today's racial landscape--from white privilege and police brutality to systemic discrimination and the Black Lives Matter movement--offering straightforward clarity that readers need to contribute to the dismantling of the racial divide. In So You Want to Talk About Race, Editor at Large of The Establishment Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans. Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates, Roxane Gay, Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay "The Meaning of a Word."

Teaching Critical Thinking: Practical Wisdom by Bell Hooks In Teaching Critical Thinking, renowned cultural critic and progressive educator bell hooks addresses some of the most compelling issues facing teachers in and out of the classroom today. In a series of short, accessible, and enlightening essays, hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgressand Teaching Community.The issues are varied and broad, from whether meaningful teaching can take place in a large classroom setting to confronting issues of self-esteem. One professor, for example, asked how black female professors can maintain positive authority in a classroom without being seen through the lens of negative racist, sexist stereotypes. One teacher asked how to handle tears in the classroom, while another wanted to know how to use humor as a tool for learning. Addressing questions of race, gender, and class in this work, hooks discusses the complex balance that allows us to teach, value, and learn from works written by racist and sexist authors. Highlighting the importance of reading, she insists on the primacy of free speech, a democratic education of literacy. Throughout these essays, she celebrates the transformative power of critical thinking. This is provocative, powerful, and joyful intellectual work. It is a must read for anyone who is at all interested in education today.

This Bridge Called My Back by Gloria Anzaldúa and Cherríe Moraga, eds. Updated and expanded edition of the foundational text of women of color feminism.

This Will Be My Undoing by Morgan Jerkins NEW YORK TIMES BESTSELLER "A writer to be reckoned with."-Roxane Gay Named one of the Most Anticipated Books of 2018 by Esquire, Elle, Vogue, Nylon, The Millions, Refinery29, the Huffington Post, Book Riot, Bitch Media, Electric Literature, The Rumpus, Vol 1. Brooklyn, and Paperback Paris From one of the fiercest critics writing today, Morgan Jerkins' highly-anticipated collection of linked essays interweaves her incisive commentary on pop culture, feminism, black history, misogyny, and racism with her own experiences to confront the very real challenges of being a black woman today--perfect for fans of Roxane Gay's Bad Feminist, Rebecca Solnit's Men Explain Things to Me, and Chimamanda Ngozie Adichie's We Should All Be Feminists. Morgan Jerkins is only in her twenties, but she has already established herself as an insightful, brutally honest writer who isn't afraid of tackling tough, controversial subjects. In This Will Be My Undoing, she takes on perhaps one of the most provocative contemporary topics: What does it mean to "be"--to live as, to exist as--a black woman today? This is a book about black women, but it's necessary reading for all Americans. Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country's larger discussion about inequality. In This Will Be My Undoing, Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large. Whether she's writing about Sailor Moon; Rachel Dolezal; the stigma of therapy; her complex relationship with her own physical body; the pain of dating when men say they don't "see color"; being a black visitor in Russia; the specter of "the fast-tailed girl" and the paradox of black female sexuality; or disabled black women in the context of the "Black Girl Magic" movement, Jerkins is compelling and revelatory.  

Women, Race & Class by Angela Y. Davis Book missing from our collections; reordered Oct. 12, 2018...